Anoniem, 1700 - Portret van Yan Keiser van die Suide - fyn kunsdruk

39,99 €

Belasting ingesluit. Versending bereken by die kassa.

Produkmateriaal waaruit u kan kies

Vir elke kunsdruk bied ons verskillende materiale en groottes. Kies nou tussen die volgende produkopsies om by jou voorkeure in grootte en materiaal te pas:

  • Aluminium dibond druk: An Aluminium Dibond print is a print material with a true depth. The Aluminium Dibond Print is the best introduction to reproductions on alu. The white and bright sections of the work of art shimmer with a silk gloss, however without glare. Colors are vivid and luminous, the details of the print are very clear, and you can truly notice the matte appearance of the print.
  • Gedrukte plakkaat op doekmateriaal: The poster print is a printed flat cotton canvas paper with a nice structure on the surface. It is best used for framing the art print with a custom-made frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm round about the work of art in order to facilitate the framing with a custom frame.
  • doek: A canvas print, which shall not be mistaken with an artwork painted on a canvas, is a digital copy applied onto canvas fabric. How do I hang a canvas on my wall? Canvas prints are relatively low in weight. This means, it is quite simple to hang your Canvas print without the help of any wall-mounts. A canvas print is suited for all kinds of walls.
  • Akrielglasdruk: The acrylic glass print, often referenced as a UV print on plexiglass, will transform your favorite original artwork into magnificient home decoration. In addition, the acrylic glass fine art print is a viable alternative option to dibond and canvas art prints. The work of art is being printed with the help of state-of-the-art UV direct printing machines. It creates sharp and rich colors. The major benefit of an acrylic glass fine art copy is that contrasts plus artwork details will be recognizeable with the help of the very subtle tonal gradation.

Belangrike nota: We try our best to depict our art products in as much detail as possible and to display them visually in our shop. Still, the colors of the printing material and the print result may differ to a certain extent from the image on your device's screen. Depending on the screen settings and the nature of the surface, not all color pigments will be printed as exactly as the digital version. In view of the fact that all the fine art prints are printed and processed manually, there might as well be minor discrepancies in the motif's size and exact position.

Algemene spesifikasies deur die museum (© Kopiereg - deur Los Angeles County Museum of Art - Los Angeles County Museum of Art)

The name of the subject of this painting, Nambang Yeomje (Chinese: Nanfang Yendi), appears in the inscription in the upper right corner. Facing the viewer and wearing a red robe, he sits on a chair decorated with dragon heads. He holds a scepter in his hands, and the sun and moon appear on his crown. Except for the fact that he is shown seated, he very much resembles portrayals of the attendants of Jeseokcheon (Sanskrit: Indra). Depictions of the Daoist personifications of the Big Dipper (Chilwon seonggun) also show them wearing hats that have sun-and-moon designs, and holding scepters. The LACMA panel is the only known painting of Nambang Yeomje with this iconography and with him shown as the sole subject matter of a single painting. Based on the inscription and the subject matter, this painting was probably one of an original set of five. Nambang Yeomje was Lord of the Southern Quadrant; the other four paintings would have shown the lords of the north, east, and west quadrants, in addition to a central figure. The five lords are differentiated only by the colors of their robes: their faces, positions, and clothing styles are the same. Intact examples of sets of these late Joseon dynasty (1800-1910) paintings exist in Gimryong Temple, South Gyeongsang province (fig. 1), and Tongdo Temple, South Gyeongsang province. The five-color scheme used in this painting is consistent with the important color scheme of Daoist theory, the Five Elements of the Cosmos, and yin and yang. Considering the five messengers’ names, the figures are very closely related to both times and the five directions. Nambang Yeomje can be found among the Daoist deities. According to the Chinese history Records of the Grand Historian (Shiji), Yeomje Shinong, successor to the throne of Fuxi (known as the founder of ancient China), was known as a lord of medicine and pioneer of agriculture. He studied herbs to make new medicines and he taught farmers how to make the land more productive. He was also given the name Yeomje (lord of fire) because he understood the inconvenience of the dark night and created lamps to be lit everywhere from oil-bearing trees. Then he created positions for and placed the five authorities that managed fire. The lords of the other directions also have counterparts in and represent other aspects of the Five Elements. The eastern lord rules over trees, the western lord rules over metals and heavenly punishments, and the northern lord rules the seas and winds. The center lord reigns over the world of ghosts and thunder; he also oversees the other lords. Originally, these figures were probably Daoist deities, and it is not clear when they entered the Buddhist cosmology. They might have been assimilated into Buddhism along with other Daoist deities such as mountain and kitchen gods, and the Buddhas of the Big Dipper (Chilseong Yeorae). It appears, however, that paintings of the five lords were not commonly enshrined in Buddhist temples, because there are many fewer paintings of them than of other Daoist deities. The pigments on the panel are painted somewhat thinly spread and the colors are harmoniously arranged. Nambang Yeomje’s dignity is expressed through his gentle facial expression and his refinement is apparent in the fine details of his robe (det.1, 2). The panel was probably painted in the early eighteenth century.


Hierdie meesterstuk genoem Portret van Yan Keiser van die Suide is deur die skilder gemaak Anonymous. The more than 320 year old original had the size 39 3/4 x 29 in (100,97 x 73,66 cm) and was produced with the techinque panel, ink and color on hemp or ramie. Hierdie kunsstuk behoort aan die Los Angeles County Museum of Art's digital art collection, which is the largest art museum in the western United States, with a collection of more than 142.000 objects that illuminate 6.000 years of artistic expression across the globe. This artpiece, which is part of the openbare domein word ingesluit met vergunning van Los Angeles County Museum of Art ( kredietlyn van die kunswerk is: . Verder is belyning portret met 'n syverhouding van 3: 4, wat beteken dat die lengte 25% korter is as die breedte.

Gestruktureerde tabel van die kunswerk

Skildery titel: "Portrait of Yan Emperor of the South"
Kunswerk klassifikasie: skildery
Generiese term: klassieke kuns
Kunswerk eeu: 18th eeu
Jaar van skepping: 1700
Ouderdom van kunswerk: rondom 320 jaar oud
Medium van oorspronklike kunswerk: panel, ink and color on hemp or ramie
Oorspronklike kunswerkafmetings: 39 3/4 x 29 duim (100,97 x 73,66 cm)
museum: Los Angeles County Museum of Art
Plek van die museum: Los Angeles, Kalifornië, Verenigde State van Amerika
Museum se webwerf: Los Angeles County Museum of Art
Lisensie tipe: openbare domein
Te danke aan: Los Angeles County Museum of Art (

Oor die produk

Druk kategorisering: fyn kunsdruk
voortplanting: reproduksie in digitale formaat
Vervaardigingstegniek: UV direkte druk (digitale druk)
Oorsprong van die produk: Duits vervaardig
Tipe voorraad: on demand
Voorgestelde produkgebruik: muurversiering, kunsversameling (reproduksies)
Prentbelyning: portretbelyning
Beeldaspekverhouding: 3:4 - (lengte breedte)
Implikasie van die sy-aspekverhouding: die lengte is 25% korter as die breedte
Beskikbare produk materiaal: metaaldruk (aluminium dibond), doekdruk, akrielglasdruk (met regte glasbedekking), plakkaatdruk (doekpapier)
Seil op draagbaar raam (doekdruk) grootte opsies: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Akrielglasdruk (met regte glasbedekking): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Plakkaatdruk (seilpapier) grootte opsies: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Aluminium dibond druk (aluminium materiaal) grootte opsies: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Kunsdruk raam: geen raam nie

Algemene agtergrondinligting oor die kunstenaar

Artist: Anonymous
Beroepe van die kunstenaar: skilder
Kunstenaar kategorie: ou meester

© Kopiereg van - (Artprinta)

Jy kan ook graag

Onlangs gesien