Vinzenz Fischer, 1781 - Allegorie van die oordrag van die keiserlike galery in die Belvedere - kunsdruk

Agtergrond inligting oor die kunsstuk deur Vinzenz Fischer

In 1781 die manlike Duitse kunstenaar Vinzenz Fischer created this masterpiece. The beyond 230 year old original has the size: 57 x 47 cm - frame dimensions: 70,5 x 61 x 6 cm and was crafted on the medium oil on canvas. Signed and dated lower right: 13 OK 1781 V. Fischer is the artwork's original inscription. Nowadays, the work of art forms part of the digital art collection of Belvedere. Met vergunning van © Belvedere, Wene, voorraadnommer: 4229 (lisensie: publieke domein). : oordrag vanaf die Kunsthistorisches Museum, Wene. - 1948 inventaris in 1922. Die belyning is portret met 'n syverhouding van 1 : 1.2, wat dit impliseer die lengte is 20% korter as die breedte. Vinzenz Fischer was a male architect, painter from Germany, whose artistic style was primarily Baroque. The Baroque painter was born in the year 1729 in Schmidham at Griesbach and died at the age of 81 in 1810 in Vienna, Vienna state, Austria.

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Artwork description from Belvedere (© Copyright - by Belvedere - Belvedere)

The reason for this allegory was the transfer of the imperial collection from the barn castle in the Belvedere, where she was open to the public for the first time. The dressed in the style of a Roman Emperor Joseph II. Is informed by Minerva, goddess of wisdom, art and clever warfare, on the Upper Belvedere. Simultaneously, the allegorical figure of art and genii bring cause of art. The circular temple - here meaning a temple Muse - bears the Greek inscription "Parthenon" and a stone plaque with the artist's signature and the date 13 October 1781, perhaps the day on which the newly established collection was opened. [Georg Lechner, 2010]