Eglon van der Neer, 1675 - Interieur met 'n vrou wat haar hande was - kunsdruk

What does the curator team of the Mauritshuis state about the 17th century work of art made by Eglon van der Neer? (© - deur Mauritshuis - www.mauritshuis.nl)

Seger Tierens, The Hague; sale The Hague, 23 July 1743 (Lugt 582), no. 128 (610 guilders); Hendrik van der Vugt, Amsterdam; sale Amsterdam, 27 April 1745 (Lugt 618), no. 14 (for 501 guilders to De Bos); Johan van der Linden van Slingelandt; sale Dordrecht, 22 August 1785 (Lugt 3936), no. 289 (for 2,400 guilders to Cremer); Thomas Theodore Cremer; sale Rotterdam, 16 April 1816 (Lugt 8862), no. 79 (for 2,500 guilders to Lafontaine); sale Paris, 28 May-2 June 1821 (Lugt 10046), no. 57; William Thomas Beckford, Fonthill Abbey (near Bath); sale London (Phillips), 10 October 1823 (Lugt 10519), no. 280 (430 pounds and 10 shillings); sale London (Phillips), 29 June 1830 (Lugt 12421), no. 76 (225 pounds); Francis Heusch, London, by 1833; possibly Lord Northwick; sale Thirlestane House, Cheltenham (Phillips), 26 July 1859 (Lugt 25025), no. 1717; Alfred de Rothschild, London; Victor de Rothschild, London; sale London (Sotheby’s), 19-22 April 1937, no. 13 (for 800 pounds to art dealers S. and R. Rosenberg, London); Fritz Mannheimer (1890-1939), Amsterdam; sold as part of the Mannheimer Collection to the Dienststelle Mühlmann for Adolf Hitler, Führermuseum, Linz, 1940; Stichting Nederlands Kunstbezit (inv. no. NK 3116), 1946; on loan to the Mauritshuis, 1948-1960; transferred, 1960

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Interior with a Woman Washing her Hands was by Eglon van der Neer. The version of the masterpiece was painted with the size - hoogte: 49,2 cm breedte: 39,6 cm | hoogte: 19,4 in breedte: 15,6 in. Olie op paneel was used by the European painter as the medium of the artpiece. The original artwork is inscribed with the information: signed and dated: Eglon. vander. Neer.fe. 1675. Hierdie kunswerk is in die versameling van Maurits, wat die Mauritshuis is die tuiste van die beste kunswerke van die Nederlandse skilderkuns van die sewentiende eeu. Met vergunning van: Mauritshuis, Den Haag (publieke domein lisensie). Kredietlyn van die kunswerk: Seger Tierens, The Hague; sale The Hague, 23 July 1743 (Lugt 582), no. 128 (610 guilders); Hendrik van der Vugt, Amsterdam; sale Amsterdam, 27 April 1745 (Lugt 618), no. 14 (for 501 guilders to De Bos); Johan van der Linden van Slingelandt; sale Dordrecht, 22 August 1785 (Lugt 3936), no. 289 (for 2,400 guilders to Cremer); Thomas Theodore Cremer; sale Rotterdam, 16 April 1816 (Lugt 8862), no. 79 (for 2,500 guilders to Lafontaine); sale Paris, 28 May-2 June 1821 (Lugt 10046), no. 57; William Thomas Beckford, Fonthill Abbey (near Bath); sale London (Phillips), 10 October 1823 (Lugt 10519), no. 280 (430 pounds and 10 shillings); sale London (Phillips), 29 June 1830 (Lugt 12421), no. 76 (225 pounds); Francis Heusch, London, by 1833; possibly Lord Northwick; sale Thirlestane House, Cheltenham (Phillips), 26 July 1859 (Lugt 25025), no. 1717; Alfred de Rothschild, London; Victor de Rothschild, London; sale London (Sotheby’s), 19-22 April 1937, no. 13 (for 800 pounds to art dealers S. and R. Rosenberg, London); Fritz Mannheimer (1890-1939), Amsterdam; sold as part of the Mannheimer Collection to the Dienststelle Mühlmann for Adolf Hitler, Führermuseum, Linz, 1940; Stichting Nederlands Kunstbezit (inv. no. NK 3116), 1946; on loan to the Mauritshuis, 1948-1960; transferred, 1960. Boonop is belyning van die digitale reproduksie in portret formaat with a ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. The painter Eglon van der Neer was an artist, whose style was mainly Baroque. The Baroque artist was born in 1635 en oorlede op die ouderdom van 68 in die jaar 1703.

Belangrike nota: We try everything in order to depict the products as exact as possible and to showcase them visually on the different product detail pages. Nevertheless, the tone of the print materials, as well as the imprint can vary slightly from the presentation on the screen. Depending on your settings of your screen and the quality of the surface, color pigments can unfortunately not be printed as exactly as the digital version. Considering that the art reproductions are printed and processed by hand, there may as well be slight discrepancies in the motif's exact position and the size.

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