Sir Henry Raeburn, 1794 - Mev. Richard Alexander Oswald (Louisa Johnston, ?gebore omstreeks 1760, oorlede 1797) - fyn kunsdruk

Gedetailleerde produk spesifikasies

In 1794 Sir Henry Raeburn painted the rococo artwork Mrs. Richard Alexander Oswald (Louisa Johnston, ?born about 1760, died 1797). Hoe meer as 220 jaar-oue oorspronklike weergawe meet die grootte: 48 1/2 x 40 7/8 duim (123,2 x 103,8 cm) en is geverf met die tegniek van olie op doek. Vandag kan hierdie kunswerk besigtig word in die Die Metropolitan Museum of Art's digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. We are happy to mention that the masterpiece, which is part of the openbare domein word ingesluit met vergunning van The Metropolitan Museum of Art, New York, Gift of Mrs. Paul Moore, 1980. Creditline of the artwork: Gift of Mrs. Paul Moore, 1980. Furthermore, alignment is portret en het 'n aspekverhouding van 1 : 1.2, wat beteken dat die lengte is 20% korter as die breedte. Sir Henry Raeburn was a painter from Scotland, whose style can be classified as Rococo. The European painter was born in the year 1756 en is op die ouderdom van 67 in die jaar 1823 oorlede.

Kies 'n produkmateriaalvariant

We offer a range of different sizes and materials for every product. Pick your favorite material and size between the options:

• Metaal (aluminium dibond-druk): This is a metal print manufactured on aluminium dibond material with a true depth effect. A direct Aluminium Dibond Print is your excellent start to art prints made on aluminum. The bright and white components of the artwork shine with a silky gloss but without any glow. Colors are bright and luminous in the highest definition, the fine details appear crisp.
• Akrielglasdruk (met regte glasbedekking): A glossy print on acrylic glass, which is sometimes named as a plexiglass print, makes your favorite original artwork into amazing wall decoration. What is more, it makes a good alternative option to canvas or dibond prints. The great advantage of an acrylic glass print is that contrasts and minor color details will be visible due to the fine tonal gradation. Our acrylic glass protects your selected art print against light and external influences for many more years.
• Gedrukte plakkaat (doekmateriaal): Our poster is a UV printed sheet of flat canvas with a fine finish on the surface, that reminds the actual work of art. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6cm round about the artwork, which facilitates the framing.
• Seildruk: A canvas direct print is a printed cotton canvas stretched on a wood frame. How can I hang a canvas on my wall? The advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang your Canvas print without additional wall-mounts. A canvas print is suited for any type of wall in your house.

Belangrike wetlike nota: We try to depict our art products as accurately as we can and to display them visually in our shop. At the same time, the tone of the printed materials, as well as the printing can vary somehwat from the image on the monitor. Depending on your screen settings and the quality of the surface, not all color pigments are printed 100% realistically. Bearing in mind that all the art reproductions are processed and printed manually, there might as well be minor deviations in the size and exact position of the motif.

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Hierdie teks word deur kopiereg beskerm © - Artprinta.com (Artprinta)

Oorspronklike kunswerkspesifikasies soos verskaf deur die museum se webwerf (© - Die Metropolitaanse Kunsmuseum - Die Metropolitaanse Museum van Kuns)

The portrait was painted about a year after the sitter’s marriage in 1793 to Richard Alexander Oswald. In praise of her beauty, the Scottish poet Robert Burns wrote a song, "O, Wat ye Wha’s in Yon Town." The setting sun brilliantly illuminates the sky through a screen of tree trunks and foliage, a device Raeburn favored in the mid-1790s. The subject is shown seated outdoors holding a book, lost in thought.