Koloman Moser, 1910 - Rudolf Steindl, die kunstenaar se broer - fyn kunsdruk

Produkspesifikasies

Die moderne kuns meesterstuk is geskilder deur die art nouveau meester Koloman moser in die jaar 1910. Die oorspronklike het die volgende grootte van 100 x 75 cm - raamafmetings: 110 x 85 x 6 cm. Olie op doek was used by the painter as the technique for the masterpiece. What is more, the artpiece can be viewed in in the van Belvedere digitale versameling in Wene, Oostenryk. We are delighted to state that this public domain work of art is supplied with courtesy of © Belvedere, Vienna, inventory number: 6227. The creditline of the artpiece is the following: donation from Josef Steindl, Vienna in 1978. In addition to that, the alignment is portret and has a side ratio of 3 : 4, meaning that the length is 25% shorter than the width. The architect, illustrator, painter, postage stamp designer, designer, decorator Koloman Moser was a European artist, whose art style can mainly be classified as Art Nouveau. The European painter was born in the year 1868 in Vienna, Vienna state, Austria and deceased at the age of 50 in 1918.

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Vir elke produk bied ons 'n reeks verskillende groottes en materiale. Ons laat jou toe om jou gunsteling grootte en materiaal te kies uit die volgende produk individualisering opsies:

• Aluminium dibond druk: These are metal prints on aluminium dibond with a true depth effect, which makes a contemporary look with a surface structure, that is not reflective. A direct Direct Print on Aluminum Dibond is your excellent introduction to art prints on aluminum. The bright and white parts of the original work of art shine with a silk gloss, however without glow. The colors are bright and vivid, the fine details are clear and crisp, and you can literally perceive the matte appearance of the surface.
• Akrielglasdruk: A glossy print on acrylic glass, which is sometimes described as a an art print on plexiglass, changes your favorite original artwork into brilliant home décor. Our real glass coating protects your chosen art print against light and external influences for many decades.
• Plakkaat (doek materiaal): A poster print is a printed canvas with a slightly roughened surface structure, which reminds the original artwork. Please note, that depending on the size of the poster print we add a white margin of around 2-6cm around the print to facilitate the framing.
• Seildruk: The canvas print is a printed cotton canvas mounted on a wooden stretcher. A canvas print has the advantage of being relatively low in weight, which implies that it is quite simple to hang up the Canvas print without the use of extra wall-mounts. A canvas print is suitable for all kinds of walls.

Regsnota: We try everythig possible in order to describe our art products with as many details as possible and to illustrate them visually on the respective product detail pages. Still, the colors of the print materials, as well as the print result may differ to a certain extent from the image on your device's monitor. Depending on your screen settings and the quality of the surface, color pigments may not be printed 100% realistically. Bearing in mind that our are printed and processed manually, there might also be minor discrepancies in the motif's size and exact position.

Die produk

Kunsstuk tafel

Kort oorsig van die kunstenaar

Hierdie teks is kopiereg ©, Artprinta (www.artprinta.com)

Oorspronklike kunswerkbeskrywing soos verskaf van die museum (© Kopiereg - Belvedere - Belvedere)

The portrait shows Rudolf Steindl (13.04.1871 Vienna 09.14.1953 Vienna), the younger with Koloman Moser's sister Leopoldine (11.06.1877 Vienna - 07.09.1957 Vienna) was married. From 1888 Steindl staff was in the k. k. Court and State Printers, where he was until his retirement in the interwar period last employed as "Oberkontrollor the State Printing". Moser is his brother-in strict frontal view in center sitting with a book in hand. The image is determined by the muted color application in pasty and broad brushwork. The modeling of the body appears arranged in the surface, the contour surface generates the stylization. The chair with a high back in the background that at Moser's chair from 1902 the company Prague Rudniker reminded, can be seen as a reference to the geometric tendencies of Viennese Modernism. On the left side Moser emphasized by the vertical black stripes effectively the hierarchical nature of the portrait, which he characterizes the sitter as intellectuals. characterized at the same time it breaks the strict Symmetrical of image organization and generates voltage. Especially the emphasis on big hands refers to Moser's confrontation with the expressionist portraits of Egon Schiele (1890-1918) as the 1910 painted Portrait of the publisher Eduard Kosmack. In his very modern interpretation of a traditional form succeeds Moser to give an individual and psychological component to the sitter. [Stefan Üner, 2016]