Guercino, 1622 - Pous Gregorius XV - kunsdruk

General information from The J. Paul Getty Museum (© - Die J. Paul Getty Museum - Die J. Paul Getty-museum)

" Slanting light falls across the upper section of the painting, placing the left side of the sitter's face in shadow. He looks out of the picture, his eyes expressing weary concern. Shown in the act of reading a book at a small table, he seems more scholarly and retiring than powerfully vigorous.

In 1621 Guercino was called to Rome from Bologna to paint this portrait of Pope Gregory XV. Although Guercino rarely painted portraits, he used a composition that had become a standard for papal portraiture since the Renaissance. But Guercino placed less emphasis on the trappings of power than earlier papal portraits and more on his subject's character. This portrait shows a keen psychological understanding of his patron's state of mind, capturing the pope at the end of his life, worn out by the cares of office and failing health. "

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"Pope Gregory XV" is a piece of art made by Guercino. Today, the piece of art belongs to the Die J. Paul Getty Museum's art collection in Los Angeles, California, United States of America. With courtesy of Die J. Paul Getty-museum (publieke domein).: . Boonop is belyning portret en het 'n beeldverhouding van 1: 1.4, wat beteken dat die lengte is 29% korter as die breedte. Guercino was a painter, whose art style was primarily Baroque. The Italian painter lived for 75 years - born in the year 1591 in Cento, Italy and passed away in 1666.

Belangrike wetlike nota: We try to depict the products as closely as possible and to display them visually. Nonetheless, the tone of the printed materials, as well as the imprint may differ to a certain extent from the representation on your device's monitor. Depending on your settings of your screen and the nature of the surface, color pigments might not be printed as realisitcally as the digital version. In view of the fact that all our fine art prints are printed and processed manually, there may also be minor discrepancies in the motif's exact position and the size.

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