Angelika Kauffmann, 1773 - John Simpson, die vader van Maria Susanna Lady Ravensworth - kunsdruk

Original information about the artwork by the museum's website (© Copyright - Belvedere - Belvedere)

Angelika Kauffmann has developed during their long stay in London from 1766 to 1781 a portrait style, which follows in many fields of view by Joshua Reynolds, but is very independent. Typical of the painter is their empathetic portrayal people whose effect is sometimes complacent, but consistently imbued with the intention to give the model a touch of grace. The influence of English portraiture is reflected in the emphasis on the individual and in the absence of status symbols. So John Simpson presented (1738-before 1789) in a casual attitude, just as it would not be aware that he is painted. This as a "Grand Tour Pose '(Wassyng Roworth) designated posture, the longingly looking into the distance views, as well as antique props like urn and kanellierter pillars, leave no doubt that John Simpson felt very connected to the city of Rome and this in a portrait wanted to demonstrate. This includes the presentation of the man who precious suit that reminds both in style and in the material and in the colors of the portraits of Anthony van Dyck and in this form was the costume Grand-tourists. While here, the sum of all the details refer to a reminder of days gone by in Italy, stunned the combination of antiques and contemporary furnishings, as appropriate for the ruined landscape would be a stone pedestal and not one related with velvet chair as a seat for the sitter. The Portrait of John Simpson is one of the best works, painted the Angelika Kauffmann in London. A variant thereof, it is a representation of full-length with different details, is in the National Portrait Gallery in London. The original naming of what is represented as "Lord" John Simpson is based on an incorrect tradition from the 19th century. Literature: Wassyng Roworth, Wendy: Angelica Kauffman. A Continental Artist in Georgian England, London, 1992; Grabner, Sabine: Romanticism, Classicism, Biedermeier. In the Austrian Gallery Belvedere, the second verb. Ed. Vienna 1997, p 24-25. [Sabine Grabner, in: enlightened bourgeois. Portraits of Gainsborough to Waldmüller 1750-1840, ed. v. Sabine Grabner u. Michael Krapf, exh. Cat. Osterreichische Galerie Belvedere, Vienna 25.10.2006-18.2.2007, Munich 2006, pp 138-139]

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dit 18th eeu skildery John Simpson, the father of Maria Susanna Lady Ravensworth was painted by the artist Angelika Kauffmann. The more than 240 year old original had the size: 127 x 101,5 cm - raamgrootte: 147 x 122 x 8 cm en is gemaak met die tegniek olie op doek. "Signed and dated on the right side: Angelica Kauffman / pinx 1773" is the painting's original inscription. This work of art can be viewed in in the digital collection of Belvedere, wat een van Europa se bekendste museums is met drie liggings wat die ervaring van argitektuur en kuns op 'n unieke manier vermeng. Hierdie openbare domein kunswerk is ingesluit met vergunning van © Belvedere, Wene, voorraadnommer: 8504. Die kunswerk het ook die volgende kredietlyn: purchase from the art market, London in 1993. Die belyning van die digitale reproduksie is portret en het 'n verhouding van 1: 1.2, Wat beteken dat die lengte is 20% korter as die breedte. Angelika Kauffmann was a painter, whose style can primarily be attributed to Classicism. The painter lived for 66 years, born in 1741 in Chur, Graubünden and died in the year 1807 in Rome.

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