Moretto da Brescia, 1554 - The Entombment - fyn kunsdruk
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Background information on the art print named "The Entombment"
Die Begrafnis was created by the mannerist painter Moretto da Brescia. The 460 year-old original version of the piece of art had the dimensions: 94 1/2 x 74 1/2 in (240 x 189,2 cm) and was painted with olie op doek. It can be viewed in in the art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: Die Metropolitan Museum of Art, New York, John Stewart Kennedy Fund, 1912 (publieke domein lisensie). Creditline of the artwork: John Stewart Kennedy Fund, 1912. In addition to this, the alignment of the digital reproduction is in portrait format with a ratio of 1: 1.2, wat dit impliseer die lengte is 20% korter as die breedte. The painter Moretto da Brescia was an artist, whose artistic style can primarily be attributed to Mannerism. The Italian artist was born in 1492 en gesterf op die ouderdom van 62 in die jaar 1554.
Kies jou materiaal
In the dropdown selection right next to the product offering you can select the size and material of your choice. Hence, we allow you to choose among the following options:
- Aluminium dibond druk: Aluminium Dibond prints are prints on metal with a true depth. The Direct Print on Aluminum Dibond is your perfect introduction to the sophisticated world of art reproductions with aluminum. For the Direct Print On Aluminum Dibond, we print your selected artpiece onto the aluminium composite white-primed surface. The bright and white parts of the original artpiece shine with a silk gloss but without the glare.
- Seildruk: A printed canvas, not to be mistaken with a painting on a canvas, is a digital replica printed on a UV direct printer. Further, a printed canvas produces a lively, pleasing impression. A canvas print has the advantage of being relatively low in weight. That means, it is easy to hang up the Canvas print without the use of any wall-mounts. Therefore, a canvas print is suited for any kind of wall.
- Gedrukte akrielglas (met regte glasbedekking): The print on acrylic glass, which is sometimes described as a an art print on plexiglass, will convert the artwork into marvellous home decoration. Furthermore, it offers a good alternative option to dibond and canvas fine art prints. With an acrylic glass fine art print sharp contrasts plus painting details become identifiable with the help of the subtle gradation. Our acrylic glass protects your selected fine art print against light and external influences for many years.
- Plakkaatafdruk (doek materiaal): Die Artprinta poster is a printed flat cotton canvas paper with a granular texture on the surface. Please note, that depending on the size of the poster print we add a white margin between 2-6cm round about the print, which facilitates the framing with your custom frame.
Belangrike nota: We try all that we can to describe our art products as accurate as possible and to display them visually on the product detail pages. Nevertheless, the tone of the print products, as well as the printing can differ marginally from the presentation on the device's monitor. Depending on the settings of your screen and the quality of the surface, colors may not be printed as exactly as the digital version on this website. In view of the fact that all the are processed and printed by hand, there might as well be slight variations in the motif's exact position and the size.
Gestruktureerde artikelinligting
Artikel tipe: | muur kuns |
Metode van voortplanting: | reproduksie in digitale formaat |
Produksie proses: | UV direkte druk |
Herkoms: | gemaak in Duitsland |
Tipe voorraad: | op aanvraag produksie |
Beoogde produkgebruik: | muurkuns, huisontwerp |
Prentbelyning: | portretbelyning |
Beeldaspekverhouding: | 1: 1.2 lengte na breedte |
Interpretasie van beeldverhouding: | die lengte is 20% korter as die breedte |
Beskikbare materiaal opsies: | doekdruk, akrielglasdruk (met regte glasbedekking), plakkaatdruk (doekpapier), metaaldruk (aluminiumdibond) |
Seil op draagbaar raam (doekdruk) variante: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Akrielglasdruk (met regte glasbedekking) variante: | 50x60 cm - 20x24", 100x120 cm - 39x47" |
Plakkaatdruk (seilpapier) opsies: | 50x60 cm - 20x24", 100x120 cm - 39x47" |
Dibond-druk (alumniummateriaal) opsies: | 50x60 cm - 20x24", 100x120 cm - 39x47" |
Kunsdruk raam: | ongeraamde reproduksie |
Agtergrondinligting oor die oorspronklike kunswerk
Titel van die kunswerk: | "Die begrafnis" |
Kategorisering van die kunswerk: | skildery |
Kategorie: | klassieke kuns |
Kunswerk eeu: | 16th eeu |
Geskep in die jaar: | 1554 |
Ouderdom van kunswerk: | oor 460 jaar |
Geverf op: | olie op doek |
Grootte van die oorspronklike kunsstuk: | 94 1/2 x 74 1/2 duim (240 x 189,2 cm) |
Uitgestal in: | Die Metropolitaanse Museum van Kuns |
Ligging van museum: | New York, New York, Verenigde State van Amerika |
Webwerf van die museum: | www.metmuseum.org |
lisensie: | openbare domein |
Te danke aan: | Die Metropolitan Museum of Art, New York, John Stewart Kennedy Fund, 1912 |
Kredietlyn: | John Stewart Kennedy Fonds, 1912 |
Algemene agtergrondinligting oor die kunstenaar
Naam: | Moretto da Brescia |
Kunstenaar geslag: | manlike |
Kunstenaar nasionaliteit: | Italiaanse |
Beroepe: | skilder |
Land van oorsprong: | Italië |
Kunstenaar kategorie: | ou meester |
Kunsstyle: | Maniërisme |
Bejaard gesterf: | 62 jaar |
gebore: | 1492 |
Jaar gesterf: | 1554 |
© Kopiereg van - Artprinta.com
Bykomende beskrywing deur die museum se webwerf (© Kopiereg - deur The Metropolitan Museum of Art - Die Metropolitaanse Museum van Kuns)
Moretto painted this moving altarpiece just before his death for the oratory of a confraternity in his hometown. Restoration has revealed the striking contrast between the somber faces of the figures and the dawn light playing across the sky and landscape. Members of the group would have meditated on the moments following Christ’s death and thought of the piercing grief of his mother and other followers, but also of the promise of life to come. When it entered the museum, its gravity and nobility reminded one curator of the music of Bach or the poetry of Milton.