Gerard David, 1510 - Aartsengel Gabriël; The Virgin Annunciate - fyn kunsdruk

About the artpiece named "Archangel Gabriel; The Virgin Annunciate"

dit klassieke kuns kunswerk is gemaak deur gerard david in 1510. The original was painted with the size Left wing: 34 1/2 x 11 5/8 in (87,7 x 29,5 cm), painted surface 34 x 11 in (86,4 x 27,9 cm); right wing: 34 1/2 x 11 3/4 in (87,6 x 30 cm), painted surface 34 x 11 1/8 in (86,4 x 28,3 cm). Olie op eikehout paneel was applied by the Dutch painter as the medium of the piece of art. The piece of art is in the the collection of Die Metropolitaanse Museum van Kuns. Die klassieke kuns public domain artwork is provided with courtesy of The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975. Creditline of the artwork: Robert Lehman-versameling, 1975. Die belyning van die digitale reproduksie is portret en het 'n verhouding van 2: 3, which implies that the length is 33% shorter than the width. Gerard David was a male artist, illuminator, painter, drawer, miniaturist, whose art style was mainly Northern Renaissance. The painter was born in 1460 in Oudewater, Utrecht province, Netherlands and deceased at the age of 63 in the year 1523 in Bruges, West-Vlaanderen, Flanders, Belgium.

Kies 'n produkmateriaalvariant

In die aftreklyste reg langs die artikel kan jy jou individuele materiaal en grootte kies. Die volgende opsies is beskikbaar vir individualisering:

• Aluminium dibond: This is a metal print manufactured on aluminium dibond material with an impressive depth effect. A direct Aluminium Dibond Print is your excellent start to fine prints produced with aluminum. The colors of the print are luminous in the highest definition, details of the print are crisp and clear. The UV print on aluminium is the most popular entry-level product and is an extremely contemporary way to display artworks, since it draws attention on the whole artwork.
• Plakkaat (doek materiaal): Our poster is a UV printed sheet of flat canvas paper with a granular finish on the surface. A poster print is optimally used for placing the art copy with a custom-made frame. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of something between 2 - 6cm around the print in order to facilitate the framing with a custom frame.
• doek: The printed canvas, which shall not be confused with a canvas painting, is a digital copy applied on a cotton canvas fabric. Your canvas print of your favorite artwork will let you turn your personal fine art print into a large size artwork like you know from galleries. The advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang the Canvas print without any wall-mounts. A canvas print is suited for any kind of wall.
• Akrielglasdruk: An print on acrylic glass, often denoted as a plexiglass print, changes your favorite artwork into beautiful wall decoration and makes a good alternative to canvas and aluminidum dibond prints. The work of art is manufactured thanks to state-of-the-art UV printing technology. This creates the impression of sharp, vibrant color tones. With an acrylic glass art print sharp contrasts plus small painting details become exposed thanks to the precise tonal gradation.

Wettige vrywaring: We try what we can to describe the art products in as much detail as possible and to illustrate them visually. Nonetheless, the colors of the print products and the printing may diverge somehwat from the presentation on the monitor. Depending on your settings of your screen and the quality of the surface, color pigments can unfortunately not be printed as realistically as the digital version on this website. In view of the fact that our fine art prints are processed and printed by hand, there might also be minor discrepancies in the size and exact position of the motif.

Oor hierdie produk

Kunswerk tafel

Kunstenaar oorsig

Hierdie teks word deur kopiereg beskerm © - Artprinta (www.artprinta.com)

Oorspronklike kunswerkspesifikasies soos verskaf van The Metropolitan Museum of Art (© Kopiereg - deur The Metropolitan Museum of Art - www.metmuseum.org)

Gerard David painted in Bruges all his life. Where he trained is unknown, though his early works show the influence of his northern Netherlandish roots, and of the art of Hugo van der Goes and Dieric Bouts. These two Annunciation panels, along with the depictions of the Passion that decorated their reverses (1975.1.119), originally formed the movable wings of an altarpiece. When the wings were closed, the Archangel Gabriel and the Virgin Annunciate were shown. When opened, on certain feast days, the Christ Carrying the Cross and the Resurrection would have been displayed, flanking a central image, perhaps the Lamentation. Characteristic of David's mature style are the deep, translucent colors and the sensitive integration of figures and space in the Passion scenes. The Annunciation is executed in grisaille to emulate sculpture, yet the flesh tones and hair of the figures depart from the monochromatic gray, in keeping with the softer, naturalistic vein prevalent in Bruges painting at the turn of the century.