Martin Johnson Heade, 1858 - Rhode Island Shore - fyn kunsdruk

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Artwork description by the museum (© Copyright - by Los Angeles County Museum of Art - Los Angeles County Museum of Art)

Martin Johnson Heade (1819-1904) was one of the central figures in the American luminist movement, a late manifestation of the Hudson River school of landscape painting. During the third quarter of the 19th century, landscape artists such as Heade combined accurate, naturalistic detail with brilliant illumination and a sense of order and harmony to create timeless, silent images that seemingly defy their specificity. Among Heade’s most prized works are his views of the salt marshes around Narragansett Bay in Rhode Island, along the New Jersey coast, and in Newburyport, Massachusetts. Rhode Island Shore dates from the artist’s first stay in Providence, in 1858, when he initially turned to the theme. The site – Church Cove in Mount Hope Bay looking toward Mount Hope – was rich in historical associations. This was the place where King Philip, the chief of the Wampanoag Indians, died in 1676. Although his death marked a critical point in the subjugation of the Indians of southern New England by the European settlers, the landscape as it appeared in the mid-19th century offered no hint of this past conflict. Yet the 19th-century public would have been well aware of the site’s significance. The serenity of the scene also belied the actual turbulence of Heade’s own era. Through such hushed images as Rhode Island Shore as well as other placid harbor views and picturesque scenes of the Eastern coast, luminists offered the American viewing public a sense of order and clam at a time when heightening political, social, and economic tensions were erupting into a bloody civil war. Heade’s marsh scenes, of which Rhode Island Shore is the earliest known example, are panoramas of flat terrains punctuated by small mounds of hay. Most of the marsh scenes are small in scale, presented in a narrow, open-ended horizontal format. The sky, often in dramatic sunset hues, usually dominates at least half of the composition. All is meticulously painted, the brushstrokes barely discernible. Nothing is allowed to distract the observer from the simplicity and order of the tautly composed landscapes. Even humans are absent, although the haystacks signify the presence of an important industry derived from the marshy swamp area. The scenes gain their quiet power from the abstract relationships of horizontals and verticals, a limited vocabulary of harmonious contrasts. Although the views often appear airless, they are about light and atmosphere. Because Rhode Island Shore was the first of Heade’s marsh paintings, it does not strictly conform to his later, more characteristic haystack scenes but instead suggests affinities to the earlier Hudson River School aesthetic from which it emerged. Larger and squarer in format, the scene is also livelier and more atmospheric, with the view framed by a large dark tree on the right. Yet the elements that are the hallmark of Heade’s mature art and the quintessential luminist approach are already present.

Gestruktureerde tabel van die kunswerk

Kunswerk naam: "Rhode Island Shore"
Kunswerkkategorisering: skildery
Kuns klassifikasie: moderne kuns
Kunswerk eeu: 19th eeu
Geskep in die jaar: 1858
Geskatte ouderdom van kunswerk: rondom 160 jaar
Medium van oorspronklike kunswerk: olie op doek
Afmetings van die oorspronklike kunswerk: 20 1/4 x 32 1/4 duim (51,44 x 81,92 cm)
Museum / ligging: Los Angeles County Museum of Art
Plek van die museum: Los Angeles, Kalifornië, Verenigde State van Amerika
Beskikbaar onder: Los Angeles County Museum of Art
Kunswerk lisensie: openbare domein
Te danke aan: Los Angeles County Museum of Art (www.lacma.org)

Vinnige oorsig van die kunstenaar

Naam: Martin Johnson Heade
Ook bekend as: Heed Martin Johnson, Heade, m.j. heade, Martin Johnson Heade, Heade Martin Johnson, Heade Martin J.
Geslag van die kunstenaar: manlike
Kunstenaar nasionaliteit: Amerikaanse
Werksgeleenthede: skilder, reisiger
Tuis land: Verenigde State
Kunstenaar klassifikasie: moderne kunstenaar
Kunsstyle: realisme
Lewensduur: 85 jaar
Geboorte jaar: 1819
tuisdorp: Lumberville, Bucks County, Pennsylvania, Verenigde State van Amerika
Oorlede in die jaar: 1904
Oorlede in (plek): Saint Augustine, Saint Johns county, Florida, Verenigde State van Amerika

Die produk spesifikasies

Artikel tipe: kunsdruk
Metode van voortplanting: digitale reproduksie
Produksie metode: UV direkte druk
Herkoms: gemaak in Duitsland
Tipe voorraad: on demand
Bedoelde gebruik: galerymuur, muurdekor
Kunswerk oriëntasie: landskap formaat
Beeldverhouding: 3: 2 lengte breedte
Implikasie: die lengte is 50% langer as die breedte
Materiaal: metaaldruk (aluminium dibond), plakkaatdruk (doekpapier), akrielglasdruk (met regte glasbedekking), doekdruk
Seilafdruk (doek op draagbaar raam) grootte opsies: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Akrielglasdruk (met regte glasbedekking): 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Plakkaatdruk (seilpapier) variante: 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Aluminiumdruk (aluminium dibond materiaal) grootte variante: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Frame: Hou asseblief in gedagte dat hierdie kunsdruk nie 'n raam het nie

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  • Druk op blink akrielglas (met regte glasbedekking): An print on acrylic glass, which is sometimes denoted as a plexiglass print, changes your favorite original artwork into gorgeous décor. Your work of art is custom-made with the help of state-of-the-art UV print machines. It creates impressive and rich color shades. With an acrylic glass art print contrasts as well as color details become exposed thanks to the subtle gradation.
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  • Aluminium dibond druk: An Aluminium Dibond print is a material with an impressive effect of depth, which makes a modern impression thanks to a non-reflective surface. The white & bright parts of the original work of art shine with a silk gloss but without the glow. The colors of the print are luminous in the highest definition, the details appear very clear.
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inligting

In 1858 die skilder Martin Johnson Heade made the piece of art "Rhode Island Shore". The 160 jaar-oue weergawe van die kunsstuk meet die grootte - 20 1/4 x 32 1/4 duim (51,44 x 81,92 cm) en is geverf met die tegniek oil on canvas. Nowadays, the artwork is part of the Los Angeles County Museum of Art's kunsversameling in Los Angeles, Kalifornië, Verenigde State van Amerika. Met vergunning van - Los Angeles County Museum of Art (www.lacma.org) (gelisensieer - publieke domein).In addition, the artwork has the creditline: . Moreover, alignment of the digital reproduction is in landskap formaat met 'n beeldverhouding van 3: 2, meaning that the length is 50% longer than the width. The painter, traveller Martin Johnson Heade was a North American artist, whose style was mainly Realism. The North American artist was born in 1819 in Lumberville, Bucks county, Pennsylvania, United States and died at the age of 85 in 1904 in Saint Augustine, Saint Johns county, Florida, Verenigde State.

Belangrike wetlike nota: We try to depict the products as precisely as it is possible and to display them visually on the different product detail pages. At the same time, the colors of the printing material and the print result can differ somehwat from the presentation on the screen. Depending on the screen settings and the nature of the surface, not all color pigments are printed as realisitcally as the digital version shown here. Considering that all our art reproductions are processed and printed by hand, there may also be minor differences in the motif's exact position and the size.

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