Michele Gordigiani, 1864 - Portret van 'n vrou (Marianna Panciatichi, markies Paolucci van Roncole, van 1835 tot 1919, of haar skoonsuster, Beatrice Ferrari Corbelli-Reggio, Lucciano Gravin) - kunsdruk

"Portrait of a Woman (Marianna Panciatichi, Marquise Paolucci of Roncole, from 1835 to 1919, or her sister-in-law, Beatrice Ferrari Corbelli-Reggio, Lucciano Countess)" was painted by Michele Gordigiani in 1864. Die meesterstuk meet die grootte 25 3/16 x 20 1/2 duim (64 x 52 cm). Olie op doek was used by the painter as the technique for the piece of art. Today, this artwork is part of the art collection of Die Metropolitaanse Museum van Kuns in New York City, New York, Verenigde State van Amerika. Hierdie openbare domein piece of art is included with courtesy of The Metropolitan Museum of Art, New York, Purchase, Anne Cox Chambers Gift, 2011. The creditline of the artpiece is: Purchase, Anne Cox Chambers Gift, 2011. Moreover, alignment is portret en het 'n beeldverhouding van 1: 1.2, wat dit impliseer die lengte is 20% korter as die breedte. Michele Gordigiani was a painter, whose style can be attributed mainly to Realism. The Realist artist was born in 1835 en is in 74 op die ouderdom van 1909 oorlede.

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Die produk-aftreklys bied jou die kans om 'n materiaal en 'n grootte te kies volgens jou persoonlike voorkeure. U kan kies tussen die volgende produkaanpassingsopsies:

• Gedrukte akrielglas (met regte glasbedekking): A glossy acrylic glass print, which is often described as a UV print on plexiglass, will transform your favorite original into great wall décor. The artwork is printed with modern UV print machines. This creates the effect of deep, intense colors.
• Gedrukte plakkaat (doek materiaal): Our poster is a printed flat canvas paper with a slight finish on the surface. Please bear in mind, that depending on the size of the poster print we add a white margin of something between 2-6 cm around the artwork, which facilitates the framing with your custom frame.
• Seildruk: The printed canvas, which shall not be confused with a painting on a canvas, is an image printed on a UV direct printer. It produces the unique impression of three-dimensionality. Canvas Prints have the great advantage of being relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without extra wall-mounts. Therefore, a canvas print is suited for any type of wall.
• Aluminium dibond (metaaldruk): An Aluminium Dibond print is a material with an impressive depth effect. For the Print On Aluminum Dibond, we print the chosen work of art onto the aluminium composite surface.

Belangrike wetlike nota: We try our best in order to describe our art products as accurate as possible and to illustrate them visually. Nevertheless, the pigments of the printing material, as well as the imprint can vary somehwat from the representation on your device's screen. Depending on your screen settings and the condition of the surface, not all color pigments are printed as realistically as the digital version depicted here. In view of the fact that the art reproductions are processed and printed manually, there may also be slight differences in the motif's size and exact position.

Gestruktureerde artikelinligting

Agtergrondinligting oor die oorspronklike kunsstuk

Oor die kunstenaar

Hierdie teks is kopiereg ©, www.artprinta.com (Artprinta)

Kunswerkinligting soos verskaf vanaf die Metropolitan Museum of Art-webwerf (© - deur The Metropolitan Museum of Art - Die Metropolitaanse Museum van Kuns)

Gordigiani was the premier portraitist of the Risorgimento, the period of modern Italian unification. This portrait, commissioned by marchese Ferdinando Panciatichi (1813–1897), scion of a distinguished Florentine family, depicts the patron’s daughter or daughter-in-law. That it was one of a pair—the pendant is now unlocated—can be deduced from the original receipt for the exuberant gilt wood frame with silk velvet elements the painting still bears, a masterpiece of the intagliatore, or carver, Niccola Ricci (active 1848–1866). The frame’s opulence is evocative of the years 1864–71, during which Florence served as King Vittorio Emanuele II’s temporary capitol.